[{"id":116,"date":"2022-11-18T01:37:47","date_gmt":"2022-11-17T23:37:47","guid":{"rendered":"https:\/\/www.unic.ac.cy\/ardereslab\/?p=116"},"modified":"2023-05-12T09:32:19","modified_gmt":"2023-05-12T06:32:19","slug":"dadh-2023-decentering-art-and-design-history-research-practice-education","status":"publish","type":"post","link":"https:\/\/www.unic.ac.cy\/ardereslab\/2022\/11\/18\/dadh-2023-decentering-art-and-design-history-research-practice-education\/","title":{"rendered":"DADH 2023: Decentering art and design history: research, practice, education"},"content":{"rendered":"

The University of Nicosia Art & Design Research Lab and the Department of Design and Multimedia are pleased to announce DADH 2023, the international conference of “Decentering art and design history: research, practice, education”, on June 15-17, 2023.<\/p>\n

The conference considers the development of art and design history in the Mediterranean region during the twentieth century. It focuses on how colonialism, postcolonialism, conflicting nationalist ideologies and western discourses of modernity have shaped: a) the development of historiography, b) the methodological and interpretative approaches, including artistic and curatorial, through which history has been written and c) the narrative forms that have been adopted for its articulation.<\/p>\n

Agenda and keynote speakers will be announced soon.<\/p>\n

View the Call for Papers<\/a><\/p>\n

For any inquiries please contact: ardereslab@unic.ac.cy<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The University of Nicosia Art & Design Research Lab and the Department of Design and Multimedia are pleased to announce […]<\/p>\n","protected":false},"author":60,"featured_media":117,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[15],"class_list":["post-116","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conference","tag-upcoming"],"acf":[],"yoast_head":"\nDADH 2023: Decentering art and design history: research, practice, education - UNIC | Art and Design Research Lab<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.unic.ac.cy\/ardereslab\/2022\/11\/18\/dadh-2023-decentering-art-and-design-history-research-practice-education\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta 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art, architecture and design history: Decolonising writing and research practices"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1216.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-blend:overlay;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><h2 class=\"fusion-responsive-typography-calculated\" style=\"line-height: 1.2\" data-fontsize=\"28\" data-lineheight=\"33.6px\">Public online discussion, University of Nicosia, 26 November 2021<\/h2>\n<p>Acknowledging the region\u2019s past and present as a place of colonial contact, conflict, population displacement and migration, the panel discussion sought to understand the effect of socio-political conditions on the writing of the history of creative practices. It raised the question of whether the histories of these practices are written via imposed colonial and post-colonial lenses, leading to adopted\/imported research methodologies. This online event sought to initiate a discussion on the writing and the making of art, design and architectural history in Cyprus, reflecting too on matters of archival research and preservation, which will hopefully lead to further research activities.<\/p>\n<p>Panel participants:<\/p>\n<p>Christodoulos Hadjichristodoulou, Vayia Karaiskou, Gabriel Koureas, <span style=\"color: var(--body_typography-color);font-family: var(--body_typography-font-family);font-size: var(--body_typography-font-size);font-weight: var(--body_typography-font-weight);letter-spacing: var(--body_typography-letter-spacing)\">Costas Mantzalos, Petros Phokaides, Esra Plumer-Bardak<\/span><\/p>\n<h2>Videos of presentations:<\/h2>\n<\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"--awb-flex-grow:0;--awb-flex-grow-medium:0;--awb-flex-grow-small:0;--awb-flex-shrink:0;--awb-flex-shrink-medium:0;--awb-flex-shrink-small:0;width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-0 fusion_builder_column_inner_1_2 1_2 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:41px;--awb-spacing-left-large:3.84%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-video fusion-youtube\" style=\"--awb-max-width:600px;--awb-max-height:360px;\"><div class=\"video-shortcode\"><lite-youtube videoid=\"BBpjZYeXioA\" class=\"landscape\" params=\"wmode=transparent&autoplay=1&enablejsapi=1\" title=\"YouTube video player 1\" data-button-label=\"Play Video\" width=\"600\" height=\"360\" data-thumbnail-size=\"auto\" data-no-cookie=\"on\"><\/lite-youtube><\/div><\/div><div class=\"fusion-text fusion-text-2\"><p>Re-framing visions and divisions<\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-1 fusion_builder_column_inner_1_2 1_2 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:41px;--awb-spacing-left-large:3.84%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-video fusion-youtube\" style=\"--awb-max-width:600px;--awb-max-height:360px;\"><div class=\"video-shortcode\"><lite-youtube videoid=\"3GgzztlSCIM\" class=\"landscape\" params=\"wmode=transparent&autoplay=1&enablejsapi=1\" title=\"YouTube video player 2\" data-button-label=\"Play Video\" width=\"600\" height=\"360\" data-thumbnail-size=\"auto\" data-no-cookie=\"on\"><\/lite-youtube><\/div><\/div><div class=\"fusion-text fusion-text-3\"><p>The possibility of a ‘New Art History’<\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-2 fusion_builder_column_inner_1_2 1_2 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:41px;--awb-spacing-left-large:3.84%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-video fusion-youtube\" style=\"--awb-max-width:600px;--awb-max-height:360px;\"><div class=\"video-shortcode\"><lite-youtube videoid=\"EQSBQW0ei7Y\" class=\"landscape\" params=\"wmode=transparent&autoplay=1&enablejsapi=1\" title=\"YouTube video player 3\" data-button-label=\"Play Video\" width=\"600\" height=\"360\" data-thumbnail-size=\"auto\" data-no-cookie=\"on\"><\/lite-youtube><\/div><\/div><div class=\"fusion-text fusion-text-4\"><p>Cultural errors and creativity<\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-3 fusion_builder_column_inner_1_2 1_2 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:41px;--awb-spacing-left-large:3.84%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-video fusion-youtube\" style=\"--awb-max-width:600px;--awb-max-height:360px;\"><div class=\"video-shortcode\"><lite-youtube videoid=\"v1U8Nrt6uS0\" class=\"landscape\" params=\"wmode=transparent&autoplay=1&enablejsapi=1\" title=\"YouTube video player 4\" data-button-label=\"Play Video\" width=\"600\" height=\"360\" data-thumbnail-size=\"auto\" data-no-cookie=\"on\"><\/lite-youtube><\/div><\/div><div class=\"fusion-text fusion-text-5\"><p>Art writing in K\u00fclt\u00fcr-Sanat<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":60,"featured_media":46,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[16],"tags":[],"class_list":["post-45","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-public-online-discussion"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast 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& Code"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1216.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-6\"><p><em>Photo:\u00a0Olga Mici\u0144ska, Warping Board, Sickle & Code exhibition.<\/em><\/p>\n<p><strong><em>Sickle & Code<\/em><\/strong><em>, <\/em>International exhibition and public programming, September 2019 — July 2020, The Museum of History and Cultural Heritage of Lakatamia in collaboration with the Municipality of Lakatamia, Nicosia.<\/p>\n<p>An exhibition that presented works by international and Cypriot artists, which reflect, confront and re-evaluate current models of producing under the conjunction of global digital commons of knowledge. The exhibition and the wider public programme explored practices that move between the material and the digital, melding older forms of making and co-producing with current methods of fabrication and contemporary notions on the communal, collective and collaborative.<\/p>\n<p>Participating artists: Maria Andreou, Raissa Angeli, Adonis Archontides, Helen Black & Yiannis Colakides, Zach Blas, Jenny Dunn, Nihaal Faizal, Veronika Georgiou, Olga Mici\u0144ska, Bahar Noorizadeh, Angelo Plessas, Tabita Rezaire, Elena Savvidou, Emiddio Vasquez<\/p>\n<p>Curatorial team: Peter Eramian, Elena Parpa, Evanthia (Evi) Tselika<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":60,"featured_media":114,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-113","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sickle & Code - UNIC | Art and Design Research Lab<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.unic.ac.cy\/ardereslab\/2020\/07\/25\/sickle-amp-code\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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technologies, arts and the commons: An unconference about art, design, technology, making, cities and their communities"},"content":{"rendered":"<p>University of Nicosia, 30 May — 1 June 2019.<\/p>\n<p>The Unconference investigated the melding of free and open-source technologies, social art practices and the commons. These axes were interwoven in order to reflect on debates around makerspace cultures and the politics of making, on the commons in times of digital realisms and bottom-up collaborative structures, and on how we think of commoning practices in relation to social art and free technologies. The Unconference was funded by Interreg Balkan-Med programme as part of the project Phygital.<\/p>\n<p>Guest speakers included: Richard Stallman, Silvia Federici, Gregory Sholette, Luiz Guilherme Vergara, Johan Soderberg and Ruth Catlow, amongst many others.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>University of Nicosia, 30 May — 1 June 2019. 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In particular, the discussion addressed the possibilities of creating opportunities through the arts for bringing together migrants, refugees and host populations. It was realized as part of the project \u2018Shaping Common Paths\u2019 which was funded by the European Cultural Foundation.<\/p>\n<p>Symposium speakers: Sarah Halqvist, Melissa Hekkers, Doros Polykarpou, Efi Savvides & Akid Hassan, Niki Sioki, Stefanos Spaneas, Nikos Trimikliniotis, Marina Tsekou, Evi Tselika, \u2018Waves\u2019 journal editorial team (Fadi A. Hamad, Ester Beatty, Mazen Beshtawe, Adi Atassi)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arts and cultural practices towards inclusive societies symposium, Nicosia Municipal Art Centre, 27 April 2018. 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